Skip to main content

Who Is Eddie Linden?

The T.S. Review was invited to a private function at the Poetry Cafe last night in London (Friday) - a celebration of the 70th year of Eddie Linden, and the launch of Eddie's Own Aquarius, wityh introductory remarks by the brilliant poet Alan Jenkins.

The gratis wine flowed thanks to the Christianity of the Irish embassy, and when it was announced they had sponsored it, cries of miracle! miracle! erupted from the packed, mainly Irish audience.

Eddie is the real minor miracle. I finally met the icon last night - he's now a dapper, wizened man, with over-large spectacles - who bears a slight resemblance to Louis Dudek. His most famous poem was written in the early 70s, "City of Razors" - but he yelled it out last night with the same rebel force as once animated his every move. His real fame stems from having - against immense odds (he was often broke) - put out a vast number of issues of the significant little magazine Aquarius - including ones dedicated to George Barker, W.S. Graham, Canadian and Australian poetry.

Eddie's Own Aquarius features new poems (!) written for Eddie by Paul Muldoon, Seamus Heaney, and many others, so you can get a sense of his cultural impact from that. It's a good looking, if expensive item (£20), but bound to be a collector's treasure some time down the road. It was compiled and edited by Constance Short and Tony Carroll, of Dundalk, who were in London for the occasion. The original idea for the book came from Michael Donaghy, the gifted Irish-American poet who died recently in London.
1 comment

Popular posts from this blog

AMERICA PSYCHO

According to the latest CBS, ABC, etc, polls, Clinton is still likely to beat Trump - by percentile odds of 66% to 33% and change. But the current popular vote is much closer, probably tied with the error of margin, around 44% each. Trump has to win more key battleground states to win, and may not - but he is ahead in Florida...

We will all know, in a week, whether we live in a world gone madder, or just relatively mad.

While it seems likely calmer heads will prevail, the recent Brexit win shows that polls can mislead, especially when one of the options is considered a bit embarrassing, rude or even racist - and Trump qualifies for these, at least.

If 42-45% of Americans admit they would vote for Trump, what does that say about the ones not so vocal? For surely, they must be there, as well. Some of the undecided will slide, and more likely they will slide to the wilder and more exciting fringe candidate. As may the libertarians.

Eyewear predicts that Trump will just about manage to win th…

DANGER, MAN

Like a crazed killer clown, whether we are thrilled, horrified, shocked, or angered (or all of these) by Donald Trump, we cannot claim to be rid of him just yet. He bestrides the world stage like a silverback gorilla (according to one British thug), or a bad analogy, but he is there, a figure, no longer of fun, but grave concern.

There has long been a history of misogynistic behaviour in American gangster culture - one thinks of the grapefruit in the face in The Public Enemy, or Sinatra throwing a woman out of his hotel room and later commenting he didn't realise there was a pool below to break her fall, or the polluted womb in Pacino'sScarface... and of course, some gangsta rap is also sexist.  American culture has a difficult way with handling the combined aspects of male power, and male privilege, that, especially in heteronormative capitalist enclaves, where money/pussy both become grabbable, reified objects and objectives (The Wolf of Wall Street for instance), an ugly fus…

OSCAR SMOSHCAR

The Oscars - Academy Awards officially - were once huge cultural events - in 1975, Frank Sinatra, Sammy Davis Jr, Shirley MacLaineandBob Hope co-hosted, for example - and Best Picture noms included The Conversation and Chinatown. Godfather Part 2 won. Last two years, movies titled Birdman and Spotlight won, and the hosts and those films are retrospectively minor, trifling. This year, some important, resonant films are up for consideration - including Hidden Figures and Moonlight, two favourites of this blog. Viola Davis and Denzel Washington will hopefully win for their sterling performances in Fences. However, La La Land - the most superficial and empty Best Picture contender since Gigi in 1959 (which beat Vertigo) - could smite all comers, and render this year's awards historically trivial, even idiotic.

The Oscars often opt for safe, optimistic films, or safe, pessimistic films, that are usually about white men (less often, white women) finding their path to doing the right thin…